In this first-person puzzle escape room game, you are trapped in the mysterious Mystwood mansion. Explore corridors and find hidden rooms while solving puzzles and deciphering codes to find a way out. Will you escape or linger to uncover the mansion’s final secret?

You find yourself trapped inside the mysterious Mystwood Mansion. The door behind you is locked and the only way forward is to delve deeper into the mansion. As you explore the mansion’s many rooms you discover that someone has orchestrated a series of puzzles and challenges to keep you from escaping.

Each room of the mansion is filled with puzzles to solve and codes to decipher. As you take on the mansion’s many challenges someone seems to be watching your every move…

Poke around to find clues to help you solve the puzzles. Interact and study 3D objects to find important details.

Will you escape the mansion’s grasp or are you up to the challenge to access the final room?

Game Features

• Five puzzle-filled rooms with hidden sub-areas
• Dynamic hint system
• Beautiful and immersive environments to explore
• Many objects and secrets to find
• Multiple endings

Suicide Guy: The Lost Dreams will challenge you in the insane fantasies of the Guy.

Try to find a way escape and wake up through lunatic worlds and wacky creatures using only your intuition and imagination.

Gamers will have to use items and tools in every kind of situation by solving loony puzzles.

Despite the title, the game is NOT at all about suicide or depression.

Game Features

• 18 levels set inside Suicide Guy’s dream worlds
• Physics based puzzles
• Vehicles to drive
• Bizarre creatures that you will interact with during your adventure
• Crazy Skills: be able to pick up items, throw them, utilize dreamworld tools and even burp.
• Many Collectible items to find

Plasmatic is a virtual, utopian space into which our society has voluntarily moved. We wake up from it unexpectedly. Our goal is to repair the main simulation core of Plasmatic. The continuation of life lived in it before will not be possible without the reparation. We are helped to achieve the goal by the Plasmatic’s artificial intelligence called SPIRIT. During the game we slowly get to know the real intentions of our guide and we start to question the rightness of the goal we have to achieve. We are also becoming more and more aware of the fact that its implementation depends only on us.

Using our dexterity, logical thinking and the right tools we need to match colors of flying plasma balls into rotating batteries. To complete a certain level each battery must be fulfilled with the given color of plasma within specific amount of time. Only after refilling all batteries with the given color the timer will end the countdown and we will be able to proceed to the next level.

Along the way there are waiting for us many surprises such as additional tools or new systems of moving the plasma around. Each of them diversifies the gameplay by increasing the difficulty of a level provided to finish the challenge.

Our guide named SPIRIT will be leading us during the game. She is the voice of the artificial intelligence of the Plasmatic system. She will teach us to navigate in the area and also how to use all the tools provided. She is quite demanding… and can be blunt in her thoughts. However, we have a common goal which is just to repair the main Plasmatic core. If we achieve it, we will be able to regain access to the life we have lived before. Also the SPIRIT will not lose her own life. She cannot repair the parts of Plasmatic manually, but she has the “know-how” in this matter. We do not have the “know-how”, but we have two working hands. Therefore we have to get along with each other to be able to cooperate. This is the only way to achieve the common goal.

Plasmatic is a form of a manifesto of threats posed by the technology industry. It answers the question: how bad the society can become due to constant improvement of the technology industry?

Game Features

• Intense gameplay – Plasmatic is based on solving logical puzzles in a predetermined short time interval. The game is accompanied by emotions related to the approaching end of the countdown as well as sound and visual effects that do not allow us to forget about the time pressure even for a moment.
• Future technology – Gameplay mechanics which you’ve never known before. Complicated challenges combined with an innovative puzzle solving method that require you not only to think but also to coordinate your movements. All this is presented in a futuristic style.
• Get absorbed – Extensive gameplay space: 22 challenging levels, a variety of scenes and intricate layouts for constructing puzzles on each of them. A variety of colors that delight with its style.
• Try to Keep Up – The mechanics and tools appear progressively during the game. Solve puzzles using additional tools like color pistol and gravitron. Remember about the obstacles that appear on new levels and master your control of the plasma’s flow that feeds the core.

SAW meets ICO in this haunting and intimate title.

Note: Although the UI/Menu options supports 12 languages, Katia speaks in a fictitious language that you cannot understand.

Communicate with Katia through body-language as you work together to solve puzzles and escape

Escape a merciless mansion alongside a girl words cannot reach, in a tale that can only be experienced in VR.

An escape-the-room adventure game that can only be experienced in VR, Last Labyrinth was created specifically for the VR age. Players must work to escape a mansion full of hidden dangers with a mysterious girl that appears before them.

The major update has been applied to add the “Last Labyrinth -Lucidity Lost-” monitor mode. It will be available to play Last Labyrinth without a VR headset.

Development of Last Labyrinth is being spearheaded by Hiromichi Takahashi, director and producer of the acclaimed Doko Demo Issyo (PlayStation® 1999) series and co-creator of Toro (the Sony Cat). Working alongside him is Co-Director Tetsuya Watanabe, previously a game designer on Puppeteer and The Last Guardian (in-game physics); Lead Animator Atsuko Fukuyama, best known for her work in animating the non-verbal characters that players work alongside with in ICO and Shadow of the Colossus; Lead Environment Artist Michiko Kusaba, who worked as a Landscape Designer on Gran Turismo 3:A-Spec and Gran Turismo 4; and Sound Designer Takuya Hanaoka, whose past works include Monster Rancher and the Super Robot Wars series.

With resumes featuring titles that are household names around the world, the team is now taking on the unique challenges of creating a VR game that revolves around “non-verbal communication”, and are committed to bringing Katia and the world of Last Labyrinth to life.

Katia is voiced by none other than international model, actress, voice-actress and singer, Stefanie Joosten, who was also the voice and model for the silent and deadly Quiet in Metal Gear Solid V: The Phantom Pain.

The theme song is composed by renowned video game music composer Hiroki Kikuta, famous for his work on titles such as Seiken Densetsu 2 and 3 and Sōkaigi, among others. Following her performance on “Quiet’s Theme”, Stefanie Joosten once again lends her vocal talents for the Last Labyrinth theme song.

Game Features

• Experience a unique relationship with Katia, a girl who speaks a language you cannot understand (voiced by Stefanie Joosten, Quiet from Metal Gear Solid V: The Phantom Pain) with music by Hiroki Kikuta (SECRET OF MANA, SOULCALIBUR V)
• Over 10 hours of escape-adventure puzzle-solving and multiple endings. Work together with Katia in a unique, one-of-a-kind experience in VR
• Created by a team of veteran Japanese developers whose previous works include classic titles such as ICO, The Last Guardian, Shadow of the Colossus, Puppeteer and the Doko Demo Issyo series (Toro, the Sony Cat)
• Fully supports Rift/Rift S, VIVE/VIVE PRO/VIVE Cosmos, VALVE INDEX and Windows MR